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Shed Seven are an English Indie Rock band from York and were one of the groups which contributed to the Britpop music scene that evolved during the 1990s, yet never received the degree of mainstream success achieved by bands such as Oasis and Blur. They formed in 1990〔 and originally comprised Rick Witter (vocals), Joe Johnson (guitar and keyboards, later replaced by Paul Banks), Tom Gladwin (bass) and Alan Leach (drums). They belonged to the post-Smiths wave of UK musicians such as The Sundays and Marion, with a sound relying heavily on complex guitar arpeggios often in a minor key, and wailing vocals. At the height of their popularity between 1994 and 1999 they had fifteen Top 40 singles〔(【引用サイトリンク】 url = http://www.nme.com/news/nme/29588 )〕 and four Top 20 albums in the UK. The band officially broke up in 2003, but reformed for a greatest hits tour in July 2007.〔 The band have continued to play shows around the UK periodically but have not released a new studio album. ==Early years== Shed Seven formed in 1990 from the ashes of Brockley Haven, a band featuring frontman Rick Witter, guitarist and songwriter Paul Banks, bassist Tom Gladwin, Magnus Thompson and John Leach, brother of Alan Leach. Both Witter and Banks had also previously played together in a band named ENAM, performing to German exchange students in Banks's front room.〔(【引用サイトリンク】 url = http://archive.thisisyork.co.uk/2003/12/19/254756.html )〕 The band's name derived from a railway shed〔 during a return trip to York; as they approached York railway station, they noticed a small shed on the sidings labelled "Shed 7". Prior to signing a six-album deal〔Record Mart & Buyer, Issue 12, July 1999, p37〕 with Polydor Records in October 1993,〔Record Mart & Buyer, Issue 12, July 1999, p38〕 guitarist Joe Johnson left the line-up and was replaced by Paul Banks. The band twice entered the local Fibbers/''Evening Press'' Battle Of The Bands competition,〔 twice failing to win,〔 whilst in September 1993, still unsigned, they were voted the third best live act at London's Inner City Festival.〔 The initial press attention enjoyed by the band came as a result of the positive reviews of their live shows, coupled with complimentary comparisons to The Smiths. In March 1994, an article by Dave Simpson of ''Melody Maker'', charting the aspirations of "the UK's brightest hopes", stated that;〔'The Newest Wave', Melody Maker, 26 March 1994, p34〕 "...Shed Seven's beautifully posed, epic music ''is'' different. Not so much New Wave Of New Wave as post-Smiths, they're taking the insular bedsit angst of Morrissey's early music and subverting it with a brash and insensitive sexual narcissism." Their debut single, the double A-side "Mark"/"Casino Girl"—labelled by ''NME'' as "spirited 'Barbarism Begins At Home' skirl"〔(【引用サイトリンク】 url = http://www.nme.com/reviews/shed-seven/1016 )〕 — was released on 7 March 1994 to considerable acclaim from some sections of the music press,〔 but failed to make the UK Top 40. The follow-up single, "Dolphin", a song co-written with former member Johnson〔Change Giver sleevenotes〕 during Banks' two-year absence from the band's line-up,〔 was released on 13 June 1994 peaking at number 28〔 with first week sales reaching 15,000,〔 leading to Shed Seven's first ''Top of the Pops'' appearance on 23 June 1994.〔 Despite their third single release, "Speakeasy", entering the UK charts at number 24 and giving them their biggest hit to date,〔 the first negative press reviews began to emerge. Writing for the UK music magazine ''NME'' in August 1994, John Mulvey believed that it represented "()our clumsy blokes trying to come over all sensuous, fragile and complex."—"Speakeasy" was later to be re-written as an advertising jingle in 1999, for the mobile phone company The Link,〔 with Witter later admitting regret at his re-recording and re-wording of the original. As a result, the song was omitted from Shed Seven setlists for a number of years, only making its live comeback as a stripped-down acoustic version on their "farewell" tour in December 2003. In September 1994, the band released their debut album, ''Change Giver'', entering the UK album chart at number 16〔 and giving the group their first Gold disc.〔 Despite it spending just two weeks in the chart, the "critically underrated debut album",〔'Liggers With Attitude', NME, 23 March 1996, p15〕 which ''NME'' declared "an attempted stab in the face of their critics",〔 gave the band three UK Top 40 singles.〔 As well as enjoying popularity in both the UK and Australia, Shed Seven also found an audience in Thailand, where they managed to beat Take That to the Christmas number 1 spot with their fourth single release, "Ocean Pie". The following April, "Where Have You Been Tonight?", the first record to emerge from the band's collaboration with their new producer, Chris Sheldon,〔 was issued as their fifth single, peaking at number 23〔 and continuing the band's chart-placing run. Although the single was "rush released"〔Record Mart & Buyer, Issue 12, July 1999, p39〕 with the intention of it being followed by a swiftly recorded second album,〔 the band failed to capitalize on the song's success as it became Shed Seven's one and only release throughout 1995. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Shed Seven」の詳細全文を読む スポンサード リンク
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